Our contest to win tickets to
La La La Human Steps is now closed.
Congratulations to Stewart Z of Abbotsford. Stewart
won two tickets to the June 15th performance of
La La La Human Steps.
Ballet British
Columbia is delighted to present the west coast premiere of
Amajd,
the latest work by Édouard Lock, choreographer of the renowned
Montreal dance troupe La La La Human Steps, at the Centre in
Vancouver for Performing Arts June 14, 15 & 16, 8 pm.
Tickets are
available at Ticketmaster outlets,
online or by phone at 604.280.3311.
La La La Human
Steps is one of the most recognized dance companies in the world
and has earned international recognition by developing a unique
choreographic language that has been constantly reinvented over
its 23 year history. Choreographic complexity, the alteration of
balletic structures and the intertwining of choreographic,
musical and cinematic strands are among the elements that create
a sense of perceptual distortion and renewal, that encourage
audiences to both reinvent and rediscover the body and its
dance.
The company has encouraged its dancers to question, define,
renew and restate performances based on sound technical
fundamentals and a renewal of performance values that range from
the hyper physical to the lyrical. Known for its energetic,
acrobatic style that often involves fast-paced and athletic
physical contact, La La La Human Steps signature move is the
barrel jump -- which is like a horizontal pirouette in the air.
Édouard Lock, an audacious and eclectic choreographer, has
created a new landmark in Canadian dance that fuses classical
ballet with modern dance. In Amjad, the choreographer
reinterprets some of the most important ballets of the Romantic
repertoire including Swan Lake and Sleeping Beauty as he weaves
together different periods and dance styles.
Amjad is part of Mr. Lock's ongoing quest for new insights into
classical works which inform our shared cultural memory. These
themes offer very interesting visual and narrative points of
view that include both décor and costume elements in this play
on memory, tradition and transcription, says the choreographer.
It s the interplay between historical representations of these
works and their contemporary adaptation/deconstruction. It tells
a story woven from other stories, if you will.
The choreographer marries poetry, tradition and modernity to
bring these themes to life. Amjad breaks down dance sequences
from ballet classics and re-adapts these movements to
contemporary music and choreography giving the works a fresh
approach more resonant with today s audiences.
Expanding the limits of physical, vertiginous, and sensual
movement, his new creation unites dancers in a radiant display
of demanding technique, intricate structure, and breakneck
speed. Interwoven sound and visual elements juxtapose rawness
and beauty, highlighting and shaping new forms of physical
interaction. Don't miss this unique experience!
The most accomplished and most seducing piece among his
recent work. -- La Presse, Montréal
Lock surpasses all limits. His revolutionary physical
language has influenced an entire generation of dancers --
Die Welt, Berlin